News/Updates 

       

2020 Year in Review

Anything Happens in that Five Minutes, I'm Yours No Matter What

Squeezing in one last model under the wire for 2020, not much to say beyond I'm glad it's done - both the year and the Drive Chevelle!

Happy Christmas to All, and to All a Good 'Nite!

A few years back, I wrote a piece on knockoffs. Since then my feelings haven't changed but the market has - on any given day, you could acquire any of a hundred different recasts of 1/24 scale figures. There's certainly an appeal in getting cheap figures, given where I am on the skill curve, but I still can't in good conscience go that route. So imagine how happy I was to find Fortnite stampers at the local CVS pharmacy: plenty of chances to try all sorts of different skin, clothing, and makeup effects with little cost and it's all above-board.

I'm Sorry, Dave, I'm Afraid I Can't Do That

I've mentioned elsewhere that I have a history in traditional visual art, and still keep a ear to the ground in that world. So I was familiar with the development of Vantablack, its exclusive artistic licensing by Anish Kapoor, and the wonderfully spiteful response by Stuart Semple with Black 2.0 and Black 3.0. As someone who fully supported this response and wanted to support the artist, I tried to figure out how best to use such a paint. My first idea was Hotblack Desiato's "funeral ship" from The Restaurant at the End of the Universe, but there are a bunch of other HHGttG ships that I wanted to get to first. But the space theme stuck, and I remembered another project I've been meaning to get to for some time...the Monolith from 2001: A Space Odyssey.